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The contemporary temperament in Nigerian youth culture to articulate a voice of generational difference from established socio-cultural codes of ‘adult society’ in a bid to renegotiate the dominant social terms of power relations has informed a geography of generational identities and subjectivities largely constituted in hip hop, a postmodern cultural practice. Though this counter-discursive phenomenon has been tenuously acknowledged in newspaper reviews and editorial reports, there has been a dearth of academic intervention to explain this development and its potency to re-map the frontiers of inter-ethnic relations and gender dynamics, a gap which this paper sets out to redress. Recognizing …