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Colloque
Looking at the formation of urban spaces in Nicole Brossard’s ''French Kiss'' (1974) and Nathalie Stephens’ ''Paper City'' (2003), I will investigate the geographies of bodies and encounters that are superimposed on the map of the city – in Brossard’s text explicitly Montréal – and that create the city’s cultural topography. I will read the two narratives diachronically and within a comparative framework, exploring in what ways their politics of sex, gender, and sexuality operate to perform a linguistically (and) erotically charged urban environment. With reference to Judith Butler’s theory of sex and gender as performative, I will show that …
