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Colloque
The Poetry Series recordings document a transitional moment in the history of English language writing in Quebec. Arguably there has not been a coherent, nationally recognized identity for anglophone Quebec writing since the early 1960s when a lyric-based poetry in the tradition of Irving Layton and Leonard Cohen was still a dominant mode and was identified as a signature mode of Canadian poetry. By the early 1970s, most Quebec anglophone poets who ventured to speculate about their relative significance on the national stage, were developing theories that underscored the special importance of their place on the cultural margins. Montreal poets …
