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Colloque
From its beginnings in the European Enlightenment, art history was a facet of a system of social practices which in concert worked to make the past synoptically visible so that it might function in and on the present; so that the present might be seen as the demonstrable product of the specifically delineated and 'represented' past; and so that the past so staged might be framed as an object of historical and genealogical desire in its own right, (con)figured as that from which a properly socialized modern subject might desire descent. Art history cannot be properly understood apart from this …
